![]() The Crafter ® brand is now registered in more than 40 countries throughout the world. To me, the name Crafter ® has connotations of high quality and also pays tribute to the craftsmen who create the guitars. I chose the name Crafter ® to represent the brand globally. I joined my father in 1986 and the decision was made to take our guitars to the world market. By 1978 the Sungeum Guitar Company had outgrown their basement space and moved to bigger premises in Yangju-gun, just outside Seoul, in order to fulfil growing demand for the guitars. My father's company enjoyed early success building classical guitars which soon acquired a reputation for excellence among local musicians. In Korean it means 'accomplishing the sound' and is a name which, in the Korean language, captured the spirit, passion and ethos of the company and its products. He soon chose Sungeum as the name for the guitars. The first guitars were built in the basement of his home where he had just 20 square meters of space and a staff of 4. My father, HyunKwon Park, founded our company in April 1972. Thank you for interest in Crafter® Guitars. _Īt Crafter® we have been developing our technology since 1972 to advance our manufacturing skill and quality. Solid quality, beautiful sweet sound, and affordable price, we are always proud of the top class popularity in Europe, especially in the UK.Įquipped with Tuner, Pre-Amplifier and LR Baggs® Pickup. _īACK & SIDES Layered Mahogany Back & SidesĬRAFTER® fuses the traditional guitar making method with modern equipment and produces high quality acoustic guitar.Įstablished in 1972, and since 1986 adopted the CRAFTER® brand. ![]() In this video I demonstrate the basic workflow of the amazing Manual Tempo Mapping Improvements that were added in the Studio One V4.1.1 update.Īnd as always, if you enjoy this content, please - Share, Subscribe, and hit that like button.CRAFTER® GUITARS HD-250/N Dreadnought Acoustic Guitar ★ BRAND NEW | OPEN BOX ★ FREE FREIGHT | LONG WARRANTY | LONG LAYBY | PAYPAL ![]() Needless to say, I think PreSonus listened to the that feedback provided by their user base and as a result - we now have a really streamlined workflow for Manual Tempo Mapping In Studio One as of the latest maintenance update. In fact they were SO CLOSE to really nailing it with the exception of one area! And that was snapping to transients. There was a specific way you had to go about it, and in the end, you could get there if you had the patience.īut when they released Version 4.1 it became increasingly more user-friendly. Native Manual Tempo Mapping In Studio Oneįirst off, I’ll say that in the past - Studio One has been able to do manual tempo mapping, but there was definitely room for improvement. But I’m also a firm believer that a DAW should handle this process Natively - and that process should be relatively painless if it’s implemented properly. I think its worth mentioning that there are 3rd party applications such as Melodyne which can actually perform miracles (on the right material) and I have used them from time to time to help me out with the above. A Little Help From 3rd Party Applications Essentially without a Tempo Map that represents the musical performance in our timeline - we can’t really make full use of all the amazing tools a modern DAW such as Studio One allows us to use. (After all, I did this for years before I started working in a DAW).īut the issue really becomes evident if you want to incorporate things like Audio Loops (With Tempo metadata) or virtual instruments. So I’ll end up with tons of markers all over the place and I just force myself to think in terms of time based locations vs Bar/Beat based locations. Having said the above, I will also say that many times I have opted to NOT tempo map a free-time performance simply because it’s “usually” a huge pain in the ass. I sure do love having the luxury of having a song mapped out to (at a minimum) Bars in my DAW! It makes my life so much easier even if it’s just for basic navigation and thinking in musical terms during playback or editing. And to be honest, I embrace the concept, and have no problems with it. Personally, I’ve seen this many times, and in certain genres it’s actually completely “the norm”. Not to mention decades worth of musical performances that were recorded without a click. Some basic examples of this could be anything from simple scratch tracks, to soulful performances by skilled musicians who let the music define the tempo. I’ve written about this before, and I’ll most likely write about it again, but there are MANY potential cases where a click track may not have been used during recording.
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